Oliver Stone perpetuates a classical myth
by Victor Davis Hanson
National Review Magazine
The consensus about Oliver Stone’s Alexander is that the film’s splashy gay motifs could not overcome the stilted dialogue, ludicrous Irish-brogue and Count Dracula accents, and excruciating minutes of dead screen time devoted to model-like poses, secretive eye contact, and soap-opera double entendres. Continue reading “Gay Old Times?”