by Victor Davis Hanson<\/p>\n
PJ Media<\/em><\/p>\n As of now we know little about what conditions drove, or proved useful to, the Aurora suspect\u00a0to murder and maim<\/a>\u00a0[1]. But given the worldwide incidences of so-called \u201crampage killings,\u201d the culprit was not the particular gun laws of Colorado. His dark counterparts exist in contemporary Norway, Uganda, Russia, and Latin America. I am sure there is a typology of the multifarious conditions that might prompt such demonic killers \u2014 workplace anger, spousal revenge, school-related grudges, religious fanaticism, race or ethnic hatred, political extremism, and abject insanity that offers no exegesis at all.<\/p>\n So far we have heard that guns did it; or that there were unfortunately not any good gunmen in the theater to stop him; or that the mentally ill are not closely enough watched, medicated, or hospitalized; or that we live in a \u201csick\u201d culture;and on and on.<\/a>\u00a0[2]<\/p>\n One unmentioned fact is that rampage killing is not necessarily a modern phenomenon, although firearms as force multipliers facilitate it and up the horrific body count. Killers in the 19th century often shot down innocent bystanders. Yet I think there are some new developments that already have brought hundreds of millions worldwide into the horrifically demonic mind of the suspect James Holmes.<\/p>\n The first is modern global communications. In 1957, if a disgruntled Ugandan policeman slaughtered 57, to the degree anyone in Selma, my hometown of 5,000 at that time, knew about it, it was at best perhaps a day or two later and in a small column in\u00a0The Fresno Bee<\/em>. The same was true when a deranged German shot and killed 14 in 1913. Before the telegraph and telephone, did anyone, more than 100 miles distant from the scene of a crime, know that a Romanian or Japanese or Virginian carved up a dozen in the seventeenth century?<\/p>\n Today every rampage, everywhere, worldwide hits the internet and cable news, without wider thoughtful context, and yet with great detail of the crime. The graphic story is without valuable analyses, and so offers us little reminder that there are now 7 billion people on the planet \u2014 and in a nanosecond we are going to know the name and circumstances of any single one of us who that day goes on a rampage. The net effect is that the Bolivian worries just not about the mass killer in Lima, but the one in Miami or Ukraine as well.<\/p>\n Popular culture \u2014 particularly the visual arts of modern movies and TV, or the imagery on the internet \u2014 is far different from even the immediate past, at least in the sense of blurring reality with fantasy. In the old 1950s Western, the hero shot the villain, who grabbed his chest and fell, as if struck inexplicably by a heart seizure. We were told\u00a0after\u00a0Bonnie and Clyde<\/em><\/a>\u00a0[3] that such stagecraft was \u201cfake\u201d; people should die on screen instead like Clyde Barrow actually did \u2014 and we must as adult viewers appreciate the real effects of pulling the trigger.<\/p>\n The opposite ensued! There was far greater chance on\u00a0Gunsmoke\u00a0<\/em>or\u00a0Bonanza<\/em>that we had a few seconds to ponder the landscape of the occasional dying victim than amid the dozens who implode on\u00a0Breaking Bad<\/a><\/em>\u00a0[4] or\u00a0Spartacus<\/a><\/em>[5]. How did it happen that by supposedly showing us exactly what a bullet does to flesh, we were thereby exempt from any human accounting \u2014 from the sort of explanation of a death that Doc, or Kitty, or Matt Dillon offered, when the latter shot one or two \u201cbad guys\u201d in an hour on Saturday night, or a \u201cgood guy\u201d tragically died? Yes, it was phony when the gunslinger slumped over without a drop of blood on his chest; but it would be phonier still to have a smart-ass Marshal Dillon blast away ten in succession in slow-motion, flesh-exploding detail as if they were mere mannequins all, with no past, no present, no nothing.<\/p>\n Since about 1970, the cinema victim dies in the manner real people die (bloody trauma, the body contorting and in visible pain and shock). But here again is the dilemma \u2014 the hyperrealism still blurs reality. In an action-hero movie, a teen-horror film, a shoot-em-up crime show, lots of people perish in the manner in which real people would so die under similarly violent circumstances. But there is less, not more shock at the loss of human life.<\/p>\n When\u00a0Alien<\/em>,\u00a0Predator<\/em>, or\u00a0Terminator<\/em>\u00a0slice up or rip apart dozens, life just goes on. Bodies fly all over the screen and we are onto the next scene. Wondering about who actually was the 11th poor soul who had his heart ripped out by the Terminator is far less interesting than watching the latter utter some banality. The same is true of everything from\u00a0Die Hard<\/em>\u00a0to\u00a0300<\/a><\/em>\u00a0[6] \u2014 lots of real-life, graphic killing, but almost no pause and bewilderment over the staggering loss of life or the consequences of Target 12 or Victim G leaving life at 12 or 56. Killing is so easy not just because of robotic arms, RPGs, and computer simulations, but also because there are almost no emotional consequences from the carnage \u2014 a fact easily appreciated by the viewer, the more so if young or unhinged or both. The killer usually smiles or at least shows no emotion; the victims are reduced to \u201cthem,\u201d anonymous souls who serve as mere numbers in a body count.\u00a0Will Kane\u2019s<\/a>\u00a0[7] victims, in contrast, were known \u2014 evil, but still not anonymous and not mere sets for the sheriff\u2019s gunplay.<\/p>\n For the diseased mind that is saturated with such modern imagery, there is fascination aplenty with the drama of killing, but no commensurate lesson gleaned from its sheer horror\u2014at least in human terms of the devastation that such carnage does to humans, both nearby and in the larger community. In the awful mind of the rampage killer, he always must be the center of attention in the manner of his homicidal fantasy counterpart, his victims of no more account than are those decapitated, dismembered, or shot apart by Freddy Krueger or Arnold Schwarzenegger. How odd that we rush to the emergency room for a cut finger in the kitchen\u2014stitches, tetanus shot, pain killer, bandages, a doctor\u2019s reassurance\u2014only to matter-of-factly watch horrific wounds on television that night with no thought that a .38 slug to the shoulder entails something more than our split forefinger.<\/p>\n And there is a further wrinkle to these hyper-realistic cinematic rampages. The killer, be he an evil \u201cJoker,\u201d the horrific Alien, or a hit man in a mafia movie, has a certain edgy personality, even a sick sort of intriguing persona \u2014 at least in the sense that his evil is sometimes \u201ccool\u201d in a way that his plodding victims, who simply got in his way, are not. In the abstract, we sympathize with the good, who became his targets; but in the concrete, the film focuses more often on the killer\u2019s emotions, his language, his swagger.<\/p>\n The Joker spits, he puns, he acts disengaged and \u201ccool,\u201d while his victims scream and panic; we want to know why he acts so, and are supposed to be fixated on his strange clothes, face, and patois, never on the series of Joe Blows that are incinerated by him. Is it any wonder we know all about the orange hair of the suspected killer, but very little about the hair colors of any of the poor victims?<\/p>\n Will this distortion of reality change? I doubt it, but I sense a great public hunger for the wounded victim, the near corpse, the dying to suddenly rise up and announce \u201cI am a human being and I count,\u201d as he either dies with a second of nobility or ends the rampage killer. One of the attractions of the violent film\u00a0Dirty Harry<\/em>\u00a0was the utter disdain Clint Eastwood held for the perverted killer (\u201che likes it\u201d), as he sought to remind society that in comparison with his victims, the killer\u2019s feelings mattered little.<\/p>\n Yes, you say that the teary scene of the death of Boromir in\u00a0Lord of the Rings<\/em>or a Kirk Douglas burning on the departing Viking ship was hokey. But I prefer them to the new normal of cinematic death as irrelevant \u2014 an indifference that ripples through society at large.<\/p>\n In\u00a0The Dark Knight<\/em>, when Batman chooses not to run over the Joker when he can, we are supposedly offered a number of valuable messages \u2014 the caped hero has not quite descended into the jungle of the vigilante; the rule of law and due process are upheld; saving the Joker ensures Batman is not the Joker; and even perhaps the misunderstood crime fighter senses a sick affinity with the similarly outcast crime perpetrator. But lost among the director\u2019s messages is the simple fact that had Batman splattered the psychopathic mass murderer, dozens still alive in the remaining minutes of the film would not have been slaughtered. Or was that the director\u2019s message \u2014 that Batman\u2019s inflated sense of justice, his inability to terminate evil, ensures that evil will terminate others good but weaker than he?<\/p>\n All of which brings us to our third symptom of the modern age that makes the contemporary rampage killer somehow different. If the suspect is charged and found guilty, I have zero confidence that he will be hanged. I have a great deal of confidence that over the next five years, his awful presence will pop up on a news broadcast. We can execute bin Laden and high-five it; we can incinerate over 2,000 suspected terrorists by video-controlled Predators, and have the president brag about it in warning away suitors from his daughters at a White House Correspondents\u2019 Dinner \u2014 but we cannot do the same for someone who was tried, convicted, and sentenced for horrifically destroying people.<\/p>\n For months to come after his trial there will be a \u201cnew\u201d revelation in the case \u2014 an interview, a testimonial from a former friend, a novel twist about the evidence. The net effect is that we will know more about the killer and his crime, and each day ever less about his victims.<\/p>\n Tonight, I wish to know nothing about him other than the information necessary to try, convict, and punish him \u2014 and any data that might provide some sort of deterrence in preventing another such rampage.<\/p>\n In comparison to those he killed and maimed, and the legions of their relatives and friends, he is nothing. We the sophisticated with university degrees are supposed to know better: that hanging such a nightmarish criminal when convicted is both barbaric on our part and offers no statistical evidence that it will deter future such killers.<\/p>\n Perhaps. But society needs to be affirmed with a certainty that it has the clear sense of evil and good to try, convict, and punish the killer. Hanging Saddam or Eichmann, for all the controversies over their trials, at least offered some finality: they were evil and now are no more \u2014 and now we don\u2019t worry whether Saddam was unloved, or the circumstances of Eichmann\u2019s childhood.<\/p>\n In other words, I don\u2019t care a whit whether the Aurora killer was a loner. I don\u2019t care if he was unhappy or if he was on medication. Millions share such pathologies without killing a mouse. I don\u2019t even know whether giving him swift justice will deter the next mass shooter. Yes, give the suspect expert legal counsel; call in all the psychiatrists imaginable; sequester the jury; ensure the judge is a pillar of jurisprudence; but if he is found guilty, I would prefer the gallows and quickly so, to remind us that we live in a civilization that prefers to remember the victims and to remember nothing at all of their killer.<\/p>\n URLs in this post:<\/p>\n [1] to murder and maim:\u00a0http:\/\/hotair.com\/archives\/2012\/07\/20\/lone-gunman-kills-at-least-12-wounds-50-at-batman-screening-in-colo\/<\/a> \u00a92012 Victor Davis Hanson<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":" by Victor Davis Hanson PJ Media As of now we know little about what conditions drove, or proved useful to, the Aurora suspect\u00a0to murder and maim\u00a0[1]. But given the worldwide incidences of so-called \u201crampage killings,\u201d the culprit was not the particular gun laws of Colorado.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[86,194],"tags":[207,260,234,35,39,94,1024],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p466Sb-9P","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":616,"url":"https:\/\/victorhanson.com\/wordpress\/aurora-fort-hood-a-tale-of-two-massacres\/","url_meta":{"origin":609,"position":0},"title":"Aurora & Fort Hood: A Tale of Two Massacres","author":"victorhanson","date":"July 24, 2012","format":false,"excerpt":"by Bruce Thornton Frontpage Magazine The murder victims of James Holmes, who slaughtered 12 and wounded 50 at the\u00a0Dark Knight Rises\u00a0movie premier in Aurora Colorado, were still sprawled in the theater when ABC News chief investigator Brian Ross on-air tried to link the killer to the Tea Party \u2014 without\u2026","rel":"","context":"In "Bruce S. Thornton"","block_context":{"text":"Bruce S. Thornton","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/our-contributors\/bruce-s-thornton\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9345,"url":"https:\/\/victorhanson.com\/wordpress\/same-old-same-old-horror\/","url_meta":{"origin":609,"position":1},"title":"Same Old, Same Old Horror","author":"victorhanson","date":"June 14, 2016","format":false,"excerpt":"The Orlando massacre brings up familiar lessons that we never quite learn. By Victor Davis Hanson \/\/ City Journal The aftermath of Islamist Afghan-American Omar Mateen\u2019s murderous rampage against American gays seems disturbingly familiar, an echo of past themes that never stop playing\u2014and lessons that never get learned. The post-911\u2026","rel":"","context":"In "The Middle East"","block_context":{"text":"The Middle East","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/the-world\/the-middle-east\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":625,"url":"https:\/\/victorhanson.com\/wordpress\/its-a-mad-mad-world\/","url_meta":{"origin":609,"position":2},"title":"It’s a Mad, Mad World","author":"victorhanson","date":"February 14, 2013","format":false,"excerpt":"by Victor Davis Hanson NRO's\u00a0The Corner Dorner Debacle It is hard to remember worse coverage of a catastrophe than what we are given about the ex-cop Christopher Dorner\u2019s murdering rampage. Some reprehensible pundits, ever so easily, fall into blaming LAPD and its \u201chistory of racism,\u201d in a sorta, kinda contextualizing\u2026","rel":"","context":"In "America's Future"","block_context":{"text":"America's Future","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/americas-future\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5490,"url":"https:\/\/victorhanson.com\/wordpress\/imminent-danger\/","url_meta":{"origin":609,"position":3},"title":"Imminent Danger","author":"victorhanson","date":"April 20, 2007","format":false,"excerpt":"Madness and massacre will not result in sound gun laws. by Bruce S. Thornton Private Papers The reaction to the murders in Blacksburg is eliciting the usual liberal nostrums. Typical is the\u00a0New York Times\u00a0editorial that concluded, \u201cWhat is needed, urgently, is stronger controls over the lethal weapons that cause such\u2026","rel":"","context":"In "Bruce S. Thornton"","block_context":{"text":"Bruce S. Thornton","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/our-contributors\/bruce-s-thornton\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":68,"url":"https:\/\/victorhanson.com\/wordpress\/the-war-between-the-amendments\/","url_meta":{"origin":609,"position":4},"title":"The War Between the Amendments","author":"victorhanson","date":"January 22, 2013","format":false,"excerpt":"by Victor Davis Hanson Tribune Media Services The horrific Newtown, Conn., mass shooting has unleashed a frenzy to pass new gun-control legislation. But the war over restricting firearms is not just between liberals and conservatives; it also pits the first two amendments to the US Constitution against each other. Apparently,\u2026","rel":"","context":"In "Political Culture"","block_context":{"text":"Political Culture","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/american-culture\/political-culture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4098,"url":"https:\/\/victorhanson.com\/wordpress\/political-vultures\/","url_meta":{"origin":609,"position":5},"title":"Political Vultures","author":"victorhanson","date":"January 13, 2011","format":false,"excerpt":"The sick are of turning insanity into politics by Victor Davis Hanson National Review Online Very few Americans are fans of both\u00a0The Communist Manifesto\u00a0and\u00a0Mein Kampf, as the Tucson killer, 22-year-old Jared Lee Loughner, apparently was. Fewer still post on the Internet fears about \u201cbrainwashing,\u201d \u201cmind control,\u201d and \u201cconscience dreaming\u201d; have\u2026","rel":"","context":"In "Political Culture"","block_context":{"text":"Political Culture","link":"https:\/\/victorhanson.com\/wordpress\/ahref=\/index.php\/categories\/angry-reader\/categorylink\/a\/american-culture\/political-culture\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/posts\/609"}],"collection":[{"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/comments?post=609"}],"version-history":[{"count":3,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/posts\/609\/revisions"}],"predecessor-version":[{"id":611,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/posts\/609\/revisions\/611"}],"wp:attachment":[{"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/media?parent=609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/categories?post=609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/victorhanson.com\/wordpress\/wp-json\/wp\/v2\/tags?post=609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\n[2] and on and on.:\u00a0http:\/\/pjmedia.com\/tatler\/2012\/07\/21\/the-predictable-banality-of-the-after-massacre-media\/<\/a>
\n[3] after\u00a0Bonnie and Clyde<\/em>:\u00a0http:\/\/pjmedia.com\/eddriscoll\/2010\/10\/02\/easy-riders-raging-boomers\/<\/a>
\n[4]\u00a0Breaking Bad<\/em>:http:\/\/pjmedia.com\/ronradosh\/2011\/07\/16\/amc%E2%80%99s-breaking-bad%E2%80%94simply-the-best-program-on-television\/<\/a>
\n[5]\u00a0Spartacus<\/em>:\u00a0http:\/\/pjmedia.com\/victordavishanson\/spartacus-the-pacific-and-the-last-of-the-romans\/<\/a>
\n[6] 300:\u00a0http:\/\/pjmedia.com\/eddriscoll\/2007\/03\/11\/300-plus-one-weekend-70-million\/<\/a>
\n[7] Will Kane\u2019s:\u00a0http:\/\/en.wikipedia.org\/wiki\/High_Noon<\/a><\/p>\n